SKU: 58135683776
all showa godzilla monsters

all showa godzilla monsters Showa Era Godzilla Films Collector's Set

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all showa godzilla monsters Showa Era Godzilla Films Collector's SetIn 1954, an enormous beast clawed its way out of the sea, destroying everything in its pathand changing movies forever. The arresting original Godzilla soon gave rise to an entire monster movie genre (kaiju eiga), but the King of the Monsters continued to reign supreme: in fourteen fiercely entertaining sequels over the next two decades, Godzilla defended its throne against a host of other formidable creatures, transforming from a terrifying symbol of

In 1954, an enormous beast clawed its way out of the sea, destroying everything in its path—and changing movies forever. The arresting original Godzilla soon gave rise to an entire monster-movie genre (kaiju eiga), but the King of the Monsters continued to reign supreme: in fourteen fiercely entertaining sequels over the next two decades, Godzilla defended its throne against a host of other formidable creatures, transforming from a terrifying symbol of nuclear annihilation into a benevolent (if still belligerent) Earth protector. Collected here for the first time are all fifteen Godzilla films of Japan’s Showa era, in a landmark set showcasing the technical wizardry, fantastical storytelling, and indomitable international appeal that established the most iconic giant monster the cinema has ever seen.

Films In This Set

  • Includes all 15 films from the Showa era (1954–1975)
    • Godzilla (1954) and Godzilla, King of the Monsters! (1956)
    • Godzilla Raids Again (1955)
    • King Kong vs. Godzilla (1962)
    • Mothra vs. Godzilla (1964)
    • Ghidorah, the Three-Headed Monster (1964)
    • Invasion of Astro-Monster (1965)
    • Ebirah, Horror of the Deep (1966)
    • Son of Godzilla (1967)
    • All Monsters Attack (1969)
    • Godzilla vs. Hedorah (1971)
    • Godzilla vs. Gigan (1972)
    • Godzilla vs. Megalon (1973)
    • Godzilla vs. Mechagodzilla (1974)
    • Terror of Mechagodzilla (1975)

Product Features

  • Format: Blu-ray
  • Media Format: Subtitled, High-definition digital transfers, Uncompressed monaural soundtracks
  • Number of Discs: 8
  • Studio: The Criterion Collection
  • Release Date: October 29, 2019
  • Audio Description: English, Japanese
  • Subtitles: English
  • MPAA Rating: NR (Not Rated)

Special Features

  • High-definition digital transfers of all 15 Showa-era Godzilla films (1954–1975)
  • Uncompressed monaural soundtracks
  • High-definition transfers of Godzilla, King of the Monsters! (1956) and the 1962 Japanese release of King Kong vs. Godzilla with original 4.0 surround sound
  • Audio commentaries on Godzilla (1954) and Godzilla, King of the Monsters! by film historian David Kalat
  • International English-language dub tracks for select films, including Invasion of Astro-Monster and Godzilla vs. Mechagodzilla
  • Toho Unused Special Effects Complete Collection: A 1986 documentary featuring deleted scenes, making-of footage, and interviews with cast and crew
  • Godzilla’s Photographic Effects: A featurette exploring the series’ groundbreaking visual effects
  • New interviews with filmmakers and cast members, including Alex Cox, Akira Takarada, and Haruo Nakajima
  • Archival interviews with special-effects legends such as Akira Ifukube and Teruyoshi Nakano
  • Illustrated audio essay about the real-life events that inspired Godzilla
  • New English subtitle translations
  • Theatrical trailers
  • Deluxe hardcover book featuring essays by Steve Ryfle, Ed Godziszewski, and illustrations by renowned artists

 

About The Films:

Godzilla (a.k.a. Gojira) is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama, made in Japan at a time when the country was reeling from nuclear attack and H-bomb testing in the Pacific. Its rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning almost thirty sequels. A thrilling, tactile spectacle that continues to be a cult phenomenon, the original, 1954 Japanese version is presented here, along with Godzilla, King of the Monsters, the 1956 "Americanized" version.

Godzilla Raids Again Toho Studios followed the enormous success of the original Godzilla with this sequel, efficiently directed by Motoyoshi Oda as a straight-ahead monsters-on-the-loose drama. An underrated standout among the Showa Godzilla films, Godzilla Raids Again introduces the monster-versus-monster format that would dominate the remainder of the series, pitting Godzilla against the ferocious, spiny Anguirus as the kaiju wreak havoc in the streets of Osaka in a series of elaborate set pieces that succeed in upping the ante for destruction. New cover illustration by Katsuya Terada

King Kong vs. Godzilla After his first two cinematic rampages, Godzilla was revived as an adversary for the Hollywood import King Kong. When Kong is discovered on a remote island by a publicity-hungry pharmaceutical company, the giant ape is set on a collision course with Godzilla, and Japan braces for a double dose of devastation. Both the Japanese-release version and the U.S.-release cut were rousing hits, cementing Godzilla’s status as a series-worthy star. New cover illustration by Arthur Adams

Mothra vs. Godzilla Godzilla faces off against the benevolent insect monster-god Mothra in this clash of the titans, a crossover battle between two of Toho Studios’ most popular monsters—the last in which Godzilla would figure as a malevolent villain rather than a fearsome hero. Mothra vs. Godzilla marks a creative high point in the Godzilla series, with pointed social commentary from director Ishiro Honda, a masterful score by Akira Ifukube, and astonishing special-effects work by Eiji Tsuburaya. New cover illustration by Angela Rizza

Ghidorah, the Three-Headed Monster After laying waste to an alien civilization on Venus, the three-headed, lightning-emitting space monster Ghidorah brings its insatiable thirst for destruction to Earth, where fierce foes Godzilla, Rodan, and Mothra must join forces in order to deal with the unprecedented threat. An electrifying screen debut for Godzilla’s archenemy Ghidorah, this film also marks a turning point for the series, as the first time the King of the Monsters acts to protect the planet. New cover illustration by Monarobot

Invasion of Astro-Monster Aliens from Planet X make an irresistible offer to the people of Earth: let them borrow Godzilla and Rodan to help defeat King Ghidorah, and in return they will provide a cure for all known human disease. But the aliens’ duplicity is soon revealed, as they deploy all three monsters in their quest to conquer Earth. This retro romp, featuring American star Nick Adams, stands as a high point in the Showa Godzilla series. New cover illustration by Benjamin Marra

Ebirah, Horror of the Deep The first Godzilla film directed by Jun Fukuda, who would go on to direct four more, is fast-paced and light in tone, and builds to a riveting race-against-time finale. On a secluded island in the South Seas, a group of castaways stumble upon a paramilitary organization whose nefarious nuclear activities threaten the world at large—and set the stage for kaiju clashes involving Godzilla, Mothra, and the giant crustacean Ebirah. New cover illustration by Simon Gane

Son of Godzilla In director Jun Fukuda’s second Godzilla outing, secret weather-control experiments create a radioactive storm and Godzilla must rescue monster hatchling Minilla from the giant mutant insects that result. Featuring a buoyant score by Masaru Sato and impressive wirework by special-effects director Sadamasa Arikawa, Son of Godzilla is lively, comic, and timely in its addressing of contemporary anxiety about worldwide food shortages. New cover illustration by Robert Goodin

All Monsters Attack Director Ishiro Honda returned again for the first Godzilla movie expressly for children. Economizing by reusing effects shots from other films in the series, All Monsters Attack tells the story of Ichiro, a lonely latchkey kid who finds solace in his dreams of befriending Minilla, the titular progeny of Son of Godzilla, whose parent is also often absent. In this thoughtful, human-scale story, boy and monster learn together what it means to grow up. New cover illustration by Jorge Coelho

Godzilla vs. Hedorah Intended to address the crisis levels of pollution in postwar Japan, Godzilla vs. Hedorah finds the King of the Monsters fighting an alien life form that arrives on Earth and steadily grows by feeding on industrial waste. Director Yoshimitsu Banno infuses the film with equal parts ecological horror, humorous monster antics, and sixties psychedelia straight out of San Francisco, making for a truly unique—and divisive—entry in the series. New cover illustration by Geof Darrow

Godzilla vs. Gigan An alien invasion prompts a tag-team battle between Godzilla and Anguirus, the planet protectors, and King Ghidorah and the new monster Gigan, a cyborg with scythe-like claws, an abdominal buzz saw, winglike back fins, and pincerlike mandibles. In this action-packed film, which veers from the sublime to the ridiculous, the cockroachlike aliens—disguised as humans—use Gigan and King Ghidorah as weapons of conquest in their plot to take over a contaminated Earth. New cover illustration by Becky Cloonan

Godzilla vs. Megalon Nuclear testing unleashes mayhem on the undersea kingdom of Seatopia, causing a series of environmental disasters that nearly wipes out Rokuro, the schoolboy protagonist at the center of this film. To exact revenge, Seatopia unleashes Megalon, a gigantic beetle with the ability to fire ray beams and napalm bombs. Meanwhile, Rokuro’s brother creates Jet Jaguar, a flying robot with a built-in moral compass. The inevitable matchup of Godzilla and Jet Jaguar versus Megalon and Gigan decides the world’s fate. New cover illustration by Ronald Wimberly

Godzilla vs. Mechagodzilla Godzilla’s evil twin Mechagodzilla first reared its head in this Jun Fukuda–directed film. A robot designed by aliens to conquer Earth, the enduringly popular villain has since been resurrected by Toho Studios several times. With the help of earnest direction, spectacular pyrotechnics, and guest appearances by veteran genre actors, this film recaptures the feel of the sixties Godzilla movies. New cover illustration by Takashi Okazaki

Terror of Mechagodzilla In Godzilla’s last gasp of the Showa era, aliens retrieve Mechagodzilla’s remains and rebuild it with the aid of an unhinged biologist (a scenery-chewing Akihiko Hirata), in hopes of defeating Godzilla for possession of planet Earth. This film marked the return of director Ishiro Honda, who had retired years earlier, disheartened by the increasingly kid-friendly approach of the series. For this final entry, Honda steers the King of the Monsters back into grim territory, interweaving an alien-invasion plot with a tale of tragic romance. New cover illustration by Chris Wisnia


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Krystina
Chelsea, US
★★★★★ 5
A bewitching retelling of Arthurian legend!
Format: Kindle
In a land where the Fae have nearly become only a legend and those who still posses even a morsel of the blood are few and far between, Morgan finds herself cast aside by most of society due to her rumored half-Fae lineage, including her brother, King Arthur. With the kingdom at the brink of war, Arthur entrusts her with a quest to retrieve a Fae weapon of legendary power: the sword of Perun, Excalibur. Accompanied by men she loathes, Captain Kairos Draven and Ragnar Whitehorn, she embarks on her long and unbeknownst perilous journey, only to find that things she once believed to be myth are in fact very real. With devastating twists, omitted truths, witty banter and fierce action, Queen of Roses leaves you begging to know more about the secrets of Aercanum! Wow, wow, wow! Going into this story, I did not realize that it was going to be a retelling of Arthurian legend, especially not one with a fantastical twist! The unique spin almost gave me The Witcher vibes and I think adding Fae into the mix was quite interesting. I knew the basics of the legend but after reading this book, it has piqued my interest and makes me want to learn more about it. My attention was snatched as soon as I finished the prologue and I knew that I was going to devour this story. I truly enjoyed the gender swaps and even how Arthur was portrayed as villainous. Morgan’s past and even her parts of her present is absolutely heartbreaking, and I felt for her at times. I can only recall one other book that made me hate characters the way I despised Florian and Arthur, leaving me with my blood boiling and feeling disgusted. Even after finishing the book, Draven is still a mystery to me and I cannot figure out how to feel about him. I guess they just means that the author did an excellent job at conveying each character’s persona! The rich world building and imagery made it easy for me to visualize the places that the group visited along their journey. I am truly engulfed in this story and I cannot wait to see wait fate awaits Morgan and how the Fae will be even more incorporated in the next book!. I received a free copy of this book and am voluntarily leaving a review.
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Reviewed in the United States on August 11, 2023
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Tiana
Cuba, US
★★★★★ 4
Enchanting
Format: Kindle
"Queen of Roses" by Briar Boleyn is a delightful and refreshing reimagining of the classic tale of King Arthur, with a captivating twist that places the spotlight on Morgan, a character who has often been overshadowed in traditional retellings. Boleyn's creative decision to shift the narrative perspective to Morgan breathes new life into the story, offering readers an intriguing and compelling look at the Arthurian world from an entirely different angle. One of the most commendable aspects of this book is its incorporation of Fae elements, which adds an enchanting layer of magic and mystery to the already familiar Arthurian setting. Boleyn skillfully weaves the world of the Fae into the narrative, creating a captivating backdrop against which the events of the story unfold. This addition not only adds depth to the world-building but also provides ample opportunities for twists and turns that keep readers thoroughly engrossed. However, while the book boasts numerous strengths, it does have one noticeable flaw: the characterization of Morgan. While it is reasonable to create a flawed and complex protagonist, it appears that at times, Morgan's character becomes overly difficult and hard to relate to. Her persistently negative perception of one of the main male characters, who is a potential love interest, despite his efforts to support and assist her, may come across as somewhat irrational and could test the patience of some readers. Striking a balance between a strong, independent character and one who can recognize genuine support and affection could have enhanced the overall reader experience. Nonetheless, the allure of "Queen of Roses" lies in its innovative approach to the Arthurian legend and its skillful blending of fantasy elements into a familiar narrative. Boleyn's evocative prose draws readers into a world where magic, destiny, and fate entwine, leaving us eager to uncover the mysteries that unfold within the pages. I received a free copy of this book via Booksprout and am voluntarily leaving a review.
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Reviewed in the United States on July 28, 2023
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Stephanie
New York, US
★★★★★ 5
An action-packed dark romantasy
Format: Kindle
I loved this book! Queen of Roses is an Arthurian-inspired dark romantasy that is the first book in the Blood of Fae series. The story follows Morgan, the princess of Camelot who is rumored to be part fae. Fueled by prejudiced hatred and a mistrust of fae blood, Morgan’s abusive father strips her of her birthright and hands it to her half-brother, Arthur. Instead of becoming queen, Morgan is commanded to join the temple of the goddesses when she comes of age. However, Arthur turns into a psychopathic, power-hungry, fae-hating king as he ages. He develops malevolent plans and commands Morgan to find an ancient weapon with legendary power. Although Morgan is wary of Arthur’s intentions, she embraces the opportunity to go on a journey and potentially change her fate. The story picks up from there and we follow Morgan on her quest to find the ancient relic. It’s full of high stakes adventure, mystery, tension, banter, forced proximity, hidden magic, self discovery, and betrayal. This first installment of the series intricately develops the world building and character development. There’s little romance in this book, but it is evident that it is a slow burn that will continue to develop throughout the remainder of the series. Overall, I loved the world building, the epic fantasy, Morgan’s journey of self discovery, and all of the twists and turns that set the stage for the future installments. I can’t wait to see what happens next!
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Reviewed in the United States on April 7, 2024
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AlynReads
Lake Worth, US
★★★★★ 4
Arthurian Fae Quest…say less.
Format: Kindle
A fae centered Arthurian tale unlike any I’ve read so far. The author did a great job at descriptive world building, with scenes easily playing out in my minds eye. There was plenty of action, suspense, and even a touch of horror. An enemies to lovers, slow burn romance, a quest, with plot twist and turns aplenty. There was a love triangle, which I’m not usually a fan of but, it played out well in this story line. The FMC, Morgan Pendragon, was so blatantly naïve, yet I typically expect as much in a ‘book one’ of a series, especially one that features a fairly sheltered princess. I was happy to read that in spite of this, she still showed a strong sense of morals, fire, and spine. Now our MMC? Kairos Draven, aka Void’s Edge. Oh, how I’m a sucker for a smoking’ hot grumpy warrior alpha with a witty mouth, and a strong sense of “touch her and die” attitude, so you know who held all my cards. That ending? Just made me swoon all the harder. Now add a battlecat that rivals the size of a horse…and well Ms. Briar Boleyn you have well and truly stolen my heart. I’m excited to see where the story goes from here, and follow along to see more of the characters growth. I went into this story fairly blind, and I think I enjoyed it all the more because of it. Once the story got going, it had me in an absolute chokehold and it was difficult to put down.
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Reviewed in the United States on May 12, 2024
A
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Ariel
Massapequa, US
★★★★★ 3
Not a bad start
Format: Kindle
3 stars Thank you Netgalley and Briar Boleyn for the ARC! A camelot/king Arthur retelling with fae. I was hooked by the idea of this book immediately and was eager to jump into this world. • slow burn • enemies to lovers • who did this to you Morgan Pendragon watched her mother die by her father's hand when she was just eight years old, hiding under the bed. Morgan is believed to have the tainted blood of the fae in her veins and is cast aside so that her fathers illegitimate son, Arthur, can become the king. She's seen his cruel treatment of the fae firsthand, so when he sends her on a journey to find a fae weapon she seizes the opportunity to do more with her life. Along the way, she finds more than she could have imagined. I don't know a whole lot about King Arthur and Camelot but I had a lot of fun with this story! The plot has some similar tropes to popular romantasy books (From blood and ash) but there's enough originality here that it doesn't feel like I'm reading a copy. I liked how the fae were different in appearance than what is typical in most fantasy books I've read. In this book they have blue hair, violet skin and a wide range of other characteristics. I thought that the world building was easy to follow and I could easily immerse myself into this world. After reading the blurb I kept wondering when she was going to go on the journey to find Excalibur and it doesn't happen until around the 45% mark. The story is a bit slow at times but starts to pick up once they begin their journey to find Excalibur. The John Wick style Inn was a fun concept that I enjoyed reading about. There are a lot of similarities to this and FBAA and I would have liked to have it be a little more different, but I'm hoping book two will have the story turn into something of its own. Overall I enjoyed reading this story and I'm looking forward to reading book two especially after that ending.
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Reviewed in the United States on May 27, 2023

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