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Description
1940s bridal dresses Size 8 Bridal GownFrom the era of war brides and sweetheart styles, this 1940s bridal gown has a fitted bodice with rich gathers framing the bust and an invert V waist panel. Has a high curved V neck and ruched panels to the sides waist with V point wrists. The classic full skirt has a huge formal seven foot train. Ladies' Size 8 to 9 Measurements Bust 35, Waist 27. 5; Shoulder to Shoulder 13. 5, Shoulder to Waist 14. 75, Front Waist to Front Hem 44, Shoulder to Train
From the era of war brides and sweetheart styles, this 1940s bridal gown has a fitted bodice with rich gathers framing the bust and an invert-V waist panel. Has a high curved V-neck and ruched panels to the sides waist with V-point wrists. The classic full skirt has a huge formal seven-foot train.Ladies' Size
8 to 9
Measurements
Bust 35, Waist 27.5; Shoulder to Shoulder 13.5, Shoulder to Waist 14.75, Front Waist to Front Hem 44, Shoulder to Train Hem 120.25 Inches
Era
1940s
Label
None, made by a dressmaker
Materials
Ivory taffeta with a classic ribbed rustling feel, probably rayon
Closure
Center back self buttons & loops
Condition
Fair
Condition Detail
This is a project gown, fabric is sturdy, has mild but widespread yellowing throughout, some large light yellow liquid areas to right front and side hem, occasional obvious rust marks throughout, one at front waist and many throughout back skirt and train, an odd triangle-shaped line of stitching to right back next to the armhole seam, ideal for display/costume unless it's cleaned and then carefully reworked to cover these problems
Washing Instructions
Dry clean
Please note: All measurements (bust - waist - hip) are the maximum body measurements that will fit the item. These measurements already have ease subtracted and they are not actual fabric widths. To get actual fabric widths add two inches at the bust - one inch at the waist and two inches at the hip.
Size listed is a modern size. Any available vintage size is noted in the Label description. Please remember vintage sizes and modern sizes can vary a great deal.
Additional photos are often available.
Please let us know if you have any questions!
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4.1 ★★★★★
Based on 21 reviews
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Product Reviews
★★★★★ 4
ITS GOOD OIL
Size: 5 Quarts
OVERALL NOT BAD BUT USING IT TO SEASON A CAST IRON WILL CREATE A BIT TOO DARK OF A SHEEN. WISH THE MANUFACTURER MENTIONED THAT
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Reviewed in the United States on April 8, 2025
★★★★★ 5
buenos
Size: 5 Quarts
Siempre compro de este aceite y es buenisimo me gusta
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Reviewed in the United States on May 5, 2026
★★★★★ 5
Well researched, disturbing, engaging.
Format: Paperback
I was amazed at how indepth and involved this history was. Very interesting, engaging and also very disturbing.
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Reviewed in the United States on April 1, 2026
★★★★★ 4
Good For History Lovers
I doubt anyone who does not want to read a true historical book with a lot of facts but not as exciting as a non-fiction novel will enjoy this. I liked it because I learned a lot of things about New York that I was really surprised to read. Seems my beloved New York had a pretty bloody, violent history towards slaves and Catholics and some others the leaders and people did not like. I didn't realize the punishments of the day were just as bad, if not worse, than those of the Salem Witch hunt days. Beware, some of the content may turn your stomach.
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Reviewed in the United States on March 17, 2014
★★★★★ 5
Search for Scapegoats
Format: Hardcover
Jill Lepore's "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan" is a valuable and admirable examination of one of the darkest episodes in New York's history: the so-called slave rebellion of 1741 and the brutal vengeance that was extracted. Professor Lepore's painstaking research confronts the reader with a terrible conclusion: even the most respectable of people in society will consent to the deaths of human beings, based on even the tiniest shreds of evidence.
Focusing primarily on the actions of Daniel Horsmanden, the City's Recorder, Lepore provides the reader with a background on the attitudes of New York's whites toward their slaves. She makes clear that Gotham was neither the first nor only city to have witnessed slave uprisings. (It had suffered a similar uprising a couple of decades earlier.) But the events of 1741 were unique for several reasons:
--the shifting finger-pointing at various groups;
--the inconsistency of Mary Burton's testimony, which essentially was the case against several slaves;and
--Horsmanden's bizarre behavior toward Mary Burton.
Admittedly, I've only superficially studied this dark time in New York's history, so I was shocked to learn that there were actually several "conspiracies": the Negro Plot, Hughson's Plot, the Spanish Plot, the Roman Plot, etc. Each plot was hatched depending on who confessed to what. Worst of all, the white population of New York--fueled by racism, xenophobia, paranoia, and, not the least of all, bloodlust--went right along with it. And, with the exception of an intriguing anonymous letter from Massachussetts, it seems the rest of the colonies went along with it, too. While Horsmanden is just short of villified in this book, he is not alone in his culpability.
Professor Lapore's "New York Burning" will disturb many readers. The accounts of the slaves and the few whites burning, hanging, begging, and praying are graphic and heartbreaking. Still, this in an incredibly important book for anyone interested in the history of our nation and/or the all-too-tragic fragility of race relations in America. For this, Professor Lapore deserves our appreciation
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Reviewed in the United States on June 8, 2006