SKU: 55059270045
promenade dress

promenade dress 261 Paris Promenade Dress

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Description

promenade dress 261 Paris Promenade DressMisses Extra Small to Extra Large. In the second decade of the 20th century, a revival of the 1795 1800 Directoire fashions produced loose, flowing gowns reminiscent of Classical Greek costumes. It liberated women's bodies from the punishing constraints of the Victorian corsets. Our sewing pattern for this simple but elegant dress, from the 1918 1920 period, is made from just three main pattern pieces. The full dress shape is defined at the waist by a

Misses Extra Small to Extra Large.

In the second decade of the 20th century, a revival of the 1795-1800 Directoire fashions produced loose, flowing gowns reminiscent of Classical Greek costumes. It liberated women's bodies from the punishing constraints of the Victorian corsets.

Our sewing pattern for this simple but elegant dress, from the 1918-1920 period, is made from just three main pattern pieces. The full dress shape is defined at the waist by a self-fabric sash that passes underneath the bib-shaped overdress in front and ties in the back. A length of decorative cord can be used, instead of the sash, to suggest the wrapped waist of ancient Grecian gowns.  The accessories of choice were long strands of pearls and cords with tassels or beaded pendants.

The designs created perfect areas for creative embellishment around the lower skirt, on the shaped overdress, or along the front and back of the bateau neckline. The different sections of the dress provide a good opportunity to create interesting fabric combinations, such as coordinating prints and/or colors, striped fabrics running in different directions, and contrast effects such as matte and shiny or smooth and texture.

For the perfect period accessory, make the drawstring handbag included in the pattern. It featured free-hanging tabs that complement the airy drape of the dress.  The tabs can be embellished to match the dress or made of contrasting material for an interesting accent.

One could add a vintage touch with decorative tassels or beaded pendants at the elbows of the dress and the bottom of the handbag. Instructions for making your own tassels are included. 

Suggested fabrics: Light to medium-weight fabrics with drape, such as silk, silk velvet, rayon, featherweight cotton, or jersey. For a more defined look, choose fabrics with more body, such as crisp cotton, lightweight linen, and silk taffeta.

Yardage chart (.pdf)  This pattern adjusts to fit most sizes.  There is a large amount of ease that is brought together with the sash or tie/cording.  Measurements for size medium are below.

Finished Measurements: 
Center back neckline to hemline (all sizes) - 49¾" (126cm)
Bust (MD): 62" (157cm)
Waist (MD): 81" (206cm)
Hip (MD): 83" (211cm)

This pattern is available as a Paper pattern and PDF pattern.  Choose the pattern format you want in the drop down menu.  The PDF pattern has instructions, optional embellishment details and files for copy shop (36” and A0), print at home (A4 and 8.5”x11”).

LEARN MORE: 

  • Note: Some customers find that they prefer the pattern made in a size smaller than they would normally wear.  There is a lot of ease in this pattern (see finished measurements above).  You can make a muslin or take measurements to see what size you think will work best. 

  • We have a tutorial for how to make this dress -- in a doll-size (because it is easier to photograph in smaller pieces).  You can see how the dress is made here: Sewing the 261 Paris Promenade Dress.

  • If you would like to know a little more about how the pattern goes together (it's not difficult, just not quite the same as most dresses), please see our blog post about the construction of the 261 Paris Promenade Dress. 
  • Also, you can see how to do this on our YouTube video (also posted below)!

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SKU: 55059270045

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TMB
Pawtucket, US
★★★★★ 5
OBSESSED!!!!!
Format: Paperback, Format: Paperback
I gave it 5 stars because it deserves the flowers. I do wish the paper was a little better quality. I think it would help make the pictures pop more. Regardless, this book is worth every penny. I haven't found anything else like it. The book is clear, concise, and isn't bogged down with too many details - just the facts m'am. It's a perfect starting reference to send someone down 101 different rabbit holes. I hope someday he puts out a hardback version on thick, slick paper with beautiful, glossy photographs. That would be lovely. For now, this will more than suffice. You get just enough about each artifact to get you going. From there, you can decide how to use your favorite search engine.
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Reviewed in the United States on November 5, 2025
A
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allison
Draper, US
★★★★★ 5
A great reference for Biblical factual archeology
Format: Paperback
I just received this book and I am so excited. It is a great tool and reference for Biblical studies. Each artifact has a great photograph next to the quick eye catching dates, discovery, period, keywords and Biblical passage. Then a brief but to the point description. It is simple and effective. Very easy to refer when reading your Bible or if you are just interested in archeology. Each artifact is about 2 pages and nothing more which is perfect for references. What a great book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 1, 2025
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sandyrouse
Lake Worth, US
★★★★★ 5
Excellent and in-depth archeologic finds that authenticate Bible history.
Format: Paperback
Archeology is proving much of the Bible's history as true. This book really delves into various sites and provides a lot of detail. My type of reading.
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Reviewed in the United States on February 21, 2026
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Angie Criss
Alexandria, US
★★★★★ 5
Great information and pictures
Format: Paperback
Great information on Biblical sites, beautiful pictures, and a pretty book as well. I gave several of these to my family for Christmas. Everyone seemed to love them. The only thing I will caution you about is that the book is small.
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Reviewed in the United States on January 22, 2026
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Mareadas
Grantham, US
★★★★★ 4
Knowledgeable and delectable book.
Format: Paperback
This book shows an excellent archaeological evidence of the Bible accuracy of places, names, events, etc. and proving for the Christians that the Bible is a historical document as well as the inspired inerrant word of God. The majority of the book is interesting and delectable, I mean, the pages where the author presents archaeological facts such as the artifacts and their correlation with people, places times, events and practices recorded in the Bible. But I do not like when the author make personal assumptions and do not present any proof of that. He says: it probably be…. it may be… Here I show three cases of this conjectures;: 1.The author seems to affirm that the triumphal entry of Jesus into Jerusalem, or at least, the name of this event, was derived from the Roman triumph celebration. He says (page 231), regarding to the Roman Empire and the life of Jesus: “By the time of Jesus, the requirements and meaning of a triumphal entry had shifted slightly from its earlier roots associating it with a conquering hero, as it became even more significant and representative of kingship and divinity”. He continues to say: “In ancient Roman culture, a triumphant victor, known as vir triumphalis (“man of triumph”) would enter the city in a celebration parade wearing the laurel wreath and a purple garment, which identified him with the royal and the divine, while riding in a chariot pulled by four horses, alluding to Sol the sun god”.  But if we compare the Roman triumph celebration with the entry of Jesus into Jerusalem described in the Bible, it is not derived from the Roman culture but is the exact fulfillment of the prophesy of Zechariah 9:9. I do not see any correlation between the two celebration; Jesus did not ride a horse but a donkey to signify peace, meekness and humility. It was not a pompous entrance of a conquering hero or king wearing a expensive garment and royal crown. 2.Even though, it is not possible to identify the location of the tomb of Jesus with absolute certainty; the author states (page 199) that the tomb of Jesus is located at the Church of the Holy Sepulchre possible based on “the restoration work to the edicule and an arcosolium tomb from the Roman period found in the church of the Holy Sepulchre”. The author also affirms without giving any proof that: “Christians in Jerusalem then passed down a continuous memory of the location of the tomb (of Jesus) from the time of the burial and resurrection in AD33 until construction of the Church of the Holy Sepulchre was started in about AD326”. But where are the records of that time? The author probably based his statement on Eusebius who lived in the 3rd and 4th centuries AD. According to the history , the Church of the Holy Sepulchre was built by the Roman Emperor Constantine around 326 AD, when her mother the Queen Helena, wanted to replace the pagan temples with Christian churches; she met the Bishop Macarious of Jerusalem who determined the location where Jesus had been buried at the place where was a temple to the Greek goddess Venus. At the beginning of the construction of the church, a rock-cut tomb was found there and an edicule was built to protect the site. But later the edicule was destroyed and rebuild. More tombs has been found under this church. How to be sure or verify that this rock-cut tomb was the one where Jesus was buried? 3.The author is biased with respect to the Masoretic Text, he make a statement but does not support it with any evidence in this regard. Writing about the Dead Sea Scrolls (Page 173) he states: “And certain passages in the Masoretic text seem to have been intentionally modified to match ideas and theology of medieval Judaism.” it is a bad accusation.
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Reviewed in the United States on April 23, 2021

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