SKU: 96454794131
blue dress navy uniform

blue dress navy uniform Original U.S. WWI US Navy Gunners Mate Service Dress Blue Uniform Set – International Military Antiques

Sale price$23.39 Regular price$25.99
Save 10%

Pay in installments of $6.50 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Oct 31 - Nov 5

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

blue dress navy uniform Original U.S. WWI US Navy Gunners Mate Service Dress Blue Uniform Set – International Military AntiquesOriginal Items: Only One Set Available. The US Navy dress blues have been in service for over 150 years and are still worn today. On a couple of occasions the Navy tried to replace the uniform. First, in the mid 40s, an "Ike" style uniform featuring a short jacket was tried out and was soundly rejected after its trial period. Then, between 1973 and 1980 the uniform was, in fact, briefly replaced with a more contemporary suit and visor cap design only

 Original Items: Only One Set Available. The US Navy dress blues have been in service for over 150 years and are still worn today. On a couple of occasions the Navy tried to replace the uniform. First, in the mid-40s, an "Ike" style uniform featuring a short jacket was tried out and was soundly rejected after its trial period. Then, between 1973 and 1980 the uniform was, in fact, briefly replaced with a more contemporary suit and visor cap design only to return to the tried-and-true dress blues. The uniform's main qualities of comfort, practicality, and a distinctive design have endeared it to the sailor. Iconic in appearance, the primary WW2 dress blue outfit consisted of a beret style cap with a ribbon and bow around the band; a "V" neck jumper with a square sailor's collar; a silk neckerchief; and bellbottom trousers with a 13-button broadfall front. Although its design features evolved from needs that had long since passed into history and were archaic even by WW2 standards, the uniform provided the sailor with an instantly recognizable uniform that boosted morale, evoked esprit de corps, and honored the Navy's proud history.

Photos dating back to at least the early 1860s show US sailors wearing a blue wool uniform not too different from the WW2 design. Through much of its early years the uniform was worn at sea, but by WW2 it had become mainly a dress uniform used for more formal occasions such as in formations, ceremonial activities, or for special guard duty. It was also worn on shore leave in appropriate climates. In fact, during WW2 it is most often seen being worn in northern shore and training stations by new recruits. The shift from a practical working uniform to one used for dress occasions was inevitable as military doctrine was evolving during the 1930s and 40s by setting specific roles for uniforms and establishing clear distinctions between work, garrison, and combat attire. And by the end of WW2 the age of multi-use uniforms had passed.

The dress blue jumper and trouser combination was considered a winter uniform to be worn in cool temperatures. It was constructed of high quality 16-ounce Melton wool that had a fine nap and was relatively soft to the touch. There were appropriate accessories to keep sailors warm on colder days. These included an overcoat made of matching heavy-weight Melton, blue wool knit gloves, and a blue wool muffler. The Dress Blue Uniform was included as part of the enlisted man's initial clothing gratuity. In northern training stations it was issued at induction and in warmer areas not until graduation was complete and final assignment received.

The dress blue uniform underwent continuous refinement over the decades of its use as was typically the case with uniforms that existed for any length of time. This process continued during WW2 with some significant changes being made to the jumper and trousers at the end of 1943. At this time it was decided to shorten the length of the jumper by six inches and simplify the waistband area of the trousers. These changes were implemented primarily to realize savings in a wartime economy by reducing the amount of fabric required to make the uniform and to speed up production by simplifying the manufacturing process.

The Dress Blue Uniform Items In This Grouping:
- Patched Gunner’s Mate Jumper and Trousers: The Gunner's Mate rating is primarily surface warfare-based. Closely associated Naval occupational ratings are Fire Controlman (FC), Aviation Ordnanceman (AO), Missile Technician (MT), Mineman (MN). The Gunner's Mate rating is one of the original ratings created as a result of the Naval Armament Act of 1794. The others include Boatswain's Mate (BM), Quartermasters (QM), Master-at-Arms (MA), and Yeoman (YN). The rating is also among the top five source ratings for enlisted Naval Special Warfare candidates.

The left breast features a single pinned on ribbon for the WWI Victory Medal, in wonderful condition. The right upper sleeve has a strange combination “dual rated” type of patch. The rate insignia is what appears to be a Gunner’s Mate as well as a Quartermaster, one we have not encountered before! The right shoulder has a white branch mark present. Enlisted men below the rank of petty officer wore stripes around the shoulder of their dress blue jumpers called Branch Marks. These stripes were made of ⅜-inch-wide white or red braid. Men assigned to the Seaman Branch wore a white braid on the right shoulder and men assigned to the Artificer Branch (Engine Room Force) wore a red braid on the left shoulder. Branch Marks were worn until the rank of Petty Officer was achieved, after which a Rating Badge was worn on the sleeve of the jumper. The cuff stripes indicate the rank of a Seaman 1st Class. Both the trousers and jumper are in good condition with minor moth nips and no significant damage.

- Pre-1933 USS Yorktown Flat Cap: The blue cloth cap was remarkable for its longevity having served as an essential part of the enlisted sailor's uniform for over one hundred years. During its considerable time in service, the blue cap sailed on frigates, sloops, paddle wheels, submarines, battleships, and aircraft carriers. It was present for the transition from sails to steam to fuel oil, and even lived to see the advent of nuclear propulsion. But perhaps, most of all, the cap brings back memories of great armadas, the age of Dreadnoughts, and the historic conflicts they partook in. Recorded in the Navy Uniform Regulations as early as 1833, the blue cap was originally part of an ensemble of clothing prescribed for enlisted seamen to be worn outdoors in both cold and warm weather. Early regulations simply described a "Blue Cloth Cap" until the Civil War period when the wording was slightly changed to "Blue Cloth Cap, without visor".

The circumference of the pre-1933 cap was much larger and required a wire stiffener on the inside to help keep its shape. Just like a lot of other sailors, the stiffener was removed to attribute a saltier appearance. The 1933 cap had a front riser that lifted the crown well above the ribbon. Additionally, the crown of the 1933 cap was attached to the sides using a cord seam, which is not present on this one. Prior to 1941, the vessel's name or any one of a number of different shore station designations could be displayed on the ribbon. In this case it's the Gunboat USS Yorktown (PG-1). The cap is in lovely condition and is even named on the inside with H. H. EDMAN stenciled into the top lining. Unfortunately we have not been able to locate any service information, making for a wonderful research opportunity.

This is truly a wonderful set of an early US Navy Dress Blue Uniform with a ship tallied flat cap! Comes more than ready for research and display.

Approx. Measurements:
Collar to shoulder: 9.5”
Shoulder to sleeve: 20”
Shoulder to shoulder: 17.5”
Chest width: 17.5”
Waist width: 18”
Hip width: 18”
Front length: 23.5"

Pants:
Waist:15.5"
Inseam: 28"

USS Yorktown (PG-1)
USS Yorktown was the lead ship of her class of steel-hulled, twin-screw gunboats in the United States Navy in the late 19th and early 20th centuries. She was the second U.S. Navy ship named in honor of the American Revolutionary War's Battle of Yorktown.

Yorktown was laid down by William Cramp & Sons of Philadelphia in May 1887 and launched in April 1888. She was just over 244 feet (74 m) long and 36 feet (11 m) abeam, and displaced 1,710 long tons (1,740 t). She was equipped with two steam engines which were supplemented with three schooner-rigged masts. The ship's main battery consisted of six 6-inch (15.2 cm) guns and was augmented by an assortment of smaller-caliber guns.

At launch, Yorktown joined the Squadron of Evolution of "New Navy" steel-hulled ships. Detached from that squadron, Yorktown, under the command of Robley D. Evans, sailed to Valparaíso, Chile, during the 1891 Baltimore Crisis and relieved USS Baltimore at that port. After that situation was resolved, Yorktown took part in the joint British–American sealing patrol in Alaskan waters and duty on the Asiatic Station before returning to the United States in 1898. Yorktown was out of commission during the Spanish–American War, but took part in actions in the Philippine–American War and the Boxer Rebellion in 1899 and 1900, respectively, after she had been recommissioned.

After three years out of commission from 1903 to 1906, Yorktown hosted the Secretary of the Navy on board when he greeted the Great White Fleet on its arrival in San Francisco in May 1908. Over the next five years, most of Yorktown's time was spent in sealing patrols in Alaska and duty in Latin American ports. From July 1912, Yorktown was out of commission for alterations, but resumed duties off the Mexican, Nicaraguan, and Honduran coasts beginning in April 1913. Through World War I, Yorktown continued in the same role, until she departed for the East Coast of the United States in April 1918. She served as an escort for one convoy headed to Halifax in August, and remained in coastal escort duties in the east until January 1919. After arrival at San Diego in February, she was decommissioned for the final time in June 1919, and was assigned the hull number PG-1 the following year. She was sold in 1921 to an Oakland, California firm and broke up that same year.

Recommissioned on 1 April 1913, with Commander George B. Bradshaw in command, Yorktown operated out of San Diego on shakedown into mid-April. She was soon back at Corinto, however, remaining in Nicaragua until 5 June. After a brief period of operations off the coast, she returned to Corinto on 21 June and remained there for over a month before departing on 31 July to coal at Salina Cruz, Mexico. She moved to Mazatlán on 10 August and there picked up mail, delivering it to the port of Topolobampo, Mexico, on the 11th. Yorktown remained there until mid-September.

For the remainder of 1913, Yorktown conducted local operations out of San Diego and San Francisco. In January 1914, though, the gunboat returned to Mexican waters and investigated local conditions at Ensenada between 3 and 6 January before moving, in subsequent months, to a succession of Mexican ports: Mazatlán, San Blas, Miramar, Topolobampo, and La Paz. Following an overhaul at Mare Island from 24 June to 2 September 1914, Yorktown served in Mexican waters again into June 1915. From that point until the entry of the United States into World War I in April 1917, Yorktown continued her routine of patrols off Mexican, Nicaraguan, and Honduran ports with occasional repairs at Mare Island and maneuvers out of San Diego.

After the United States joined the Allies, Yorktown operated off the coast of Mexico until August 1917, when she paused briefly at San Diego. On 18 July 1917, Yorktown rescued the last surviving members of an abandoned guano mining settlement on Clipperton Island. From a peak population of roughly 100 in 1915, only four women and seven children survived. After her time off the Mexican coast, Yorktown then cruised off the west coasts of Central and South America into 1918. After a refit at Mare Island, Yorktown, sailed for the east coast on 28 April 1918, transiting the Panama Canal en route, and arrived at New York on 20 August. The gunboat escorted a coastal convoy to Halifax, soon there after before returning to New York. She performed local coastwise escort duties through the end of World War I. After a period of upkeep at the New York Navy Yard in December, she departed the east coast on 2 January 1919 on her last voyage to California.

Arriving at San Diego on 15 February 1919, Yorktown was placed out of commission at Mare Island on 12 June 1919. On 17 June 1920, she was assigned the hull number PG-1. The veteran steel-hulled gunboat was sold to the Union Hide Company of Oakland, California, on 30 September 1921; she was broken up in Oakland sometime after that.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 96454794131

Discover Niche Categories That Outsell blue dress navy uniform

Top-Converting Item to Boost Your Average Order

4.2 ★★★★★
Based on 18 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
D
Verified Purchase
Drewsci27
Fort Morgan, US
★★★★★ 3
not as funny as others
the other simpsons libary of wisdom books are better. but still a fun read and good for the price. Moe
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2013
E
Verified Purchase
Elvin Ortiz
Massapequa, US
★★★★★ 5
Batman for the Sake of Art: A Great Collection
Format: Paperback
I enjoyed this very much. I also found it an adventure to read and view these Batman tales because they were different from what I've read so far. Mark Chairello wanted to create a Batman volume with different artists collaborating on it and he accomplished that. But what was most impressing to me and what I found so different from what I've ever read on the Batman is the impressionistic style of the artwork and perhaps, the absence of plots. The narratives that we find here are most likely to be vignettes, shorter than short stories. This narrative style accompanied by the impressionistic artwork where we see each artist's interpretation of the Batman defines the tone, mood, and characterization of this collection of stories. Although each artist showed his own version of the Batman, the artwork of each had one thing in common: it stressed the Dark Knight persona of the Batman. The stories were less controlled by a sense of plot than a sense of atmosphere and characterization. These were darker than what I'm accustomed to read. Death permeates its pages. Batman fights crime but he can't prevent the bloodbath while he's doing so. The very first story, Perpetual Mourning, shows the detective seeking a clue for a murderer on a corpse in a morgue. While doing so, an interior monologue reveals the Batman's thoughts and his feelings toward the victim. Readers see their hero internalize the loss of this victim. McKeever intensifies this feeling by presenting a couple dancing: is this the woman while alive dancing with Batman? Was this someone Batman knew as Bruce Wayne? Other stories that I immediately classified as favorite are Joe Kubert's The Hunt; Good Evening, Midnight by Klaus Janson; a psychological drama, In Dreams, by Andrew Helfer and art by Liberatore; Heist, written and illustrated by a minimalist artist, Matt Wagner; Brian Bolland's An Innocent Guy is quite interesting because it summarizes Batman's life from the point of view of a person who plans on killing him; and Archie Goodwin's Heroes illustrated by Gary Gianni. This latter story is a WWII story where Batman deals with Nazis. Bruce Timm's Two of a Kind, is really a Two-Face story more than a Batman story. It has the traits of noirish films of the 40s where the attempts of criminal to reform are thwarted by fate. Two Face finally gets a human face, falls in love with the doctor who made it possible, but fate eventually gets in the way. There are some R-rated panels in this story. Walter Simonson gives us a futuristic story about the Batman, while veteran Dennis O'Neil shares a narrative that goes deep into Batman's psyche and a Christmas story that reminds us of some of his early works in the seventies. Batman pursues a strange serial killer in Howard Chaykin's Petty Crimes and Goodwin tells a haunting tale of a demonic trumpet, illustrated by Jose Munoz. Monster Maker by Jan Strnad was also quite haunting for it shoes the influence of gang violence on children. Illustrated by Richard Corbin, it is perhaps the most graphically violent of this collection. I notice that the title of this collection is accompanied by the name of Frank Miller, but he only makes one cover artwork contribution in this book. Thus, do not expect plotted narratives in this tome. Just enjoy the artwork and short vignettes about who the Batman is and the world in which he lives. I was not disappointed by this purchase and enjoyed the reading very much.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 21, 2017
T
Verified Purchase
Tom Reagan
Massapequa, US
★★★★★ 5
Must-Own for True Batman Fans
Format: Paperback
I own and have read all 3 volumes of these Batman: Black and White books. They're all good, and in order of volume, so Volume #1 is the best, by far. What makes them great (and I'm mostly referring to volume one, although these can apply to all volumes): - Large collection of unique stories, and the stories are short - about 8 pages, I think. So I made a habit of reading just one or a few stories at the end of each night, for example. There's 20 different stories! So if you're a big Bat-Fan like me, you're bound to like most. - A different writer and artist for each story. So, some of the stories you'll love, and some you might hate. But for the most part, I liked a large percentage of them. And when they're good, they're REALLY GOOD! And sometimes, if the story isn't that great, the artwork might make up for it (or vice versa). - The artwork! Again, a large percentage of the stories really do have fantastic art. It's a real treat turn the page and read an entirely different story with a completely different (artistic) take on Batman. Plain and simple, every huge Batman fan should own all of these books. Start with this volume.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 11, 2010
D
Verified Purchase
D. Bartz
Lowell, US
★★★★★ 4
Short Story Collection
Format: Paperback
This wasn't quite what I expected. It's a random selection of writers and illustrators all doing short stories that are just a few pages long. It gives you a deep appreciation for some of the talent many of these guys have and gives you many different perspectives on batman. Having said that, I have to be honest. Some of the illustrations were sub-par and some of the stories mediocre. A couple of the stories left me wondering if some of these guys had written batman anything before and others whether they were able to earn a living with their drawings. Despite that, there were many really good stories in here that are worth reading.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2015
R
Verified Purchase
Robert Jordan
Lake Worth, US
★★★★★ 5
Like chocolate truffles
Format: Paperback
First off, this is a review of volume 1. I got several Batman graphic novels recently and get one out when I have a block of uninterrupted time for it. I thought that given the short-story format, that I'd leave this in the car and read one or two stories when I had a few minutes to kill. Sure - that's what I say when I get a box of candy too - just one or two at a time - make the box last for a month. LOL - I got going and finished the whole book in one sitting. The short stories are not all great, but even the weakest is worth at least three stars. Some of the others are wonderful. The most unexpected were the best: "A Black and White World" a Neil Gaiman story which features Batman and Joker in a way you've never seen them before, and "A Slaying Song Tonight" a Batman Christmas story.... who'd ever think of that? The art is varied - which is the point isn't it. Some I liked a great deal and others didn't move me, but each reader will have different tastes. I learned about some artists with which I wasn't familiar. I'm new to comics and graphic novels, so this was a great way to gain some exposure to some legends. A previous reviewer seemed to feel the black and white art limited the artists. I thought the short story format and the black and white art boiled the work down to it's most powerful essence. The stories didn't waste a word. The art didn't hide behind color. It was like each story was stripped down to the bare essentials. And no comic character is more natural for a black and white treatment than the Bat. It was like a film noir movie marathon! Volume One at the very least is a must-own part of any Batman collection. Highest recommendation!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 20, 2009

recommand products